The more of yourself you feel you have the ability to put into the words you intertwine, the clearer the liquor will be. Distill it. Soak the wooden pages in your voice. A detachment from brain to ink is extremely effortless to spot, and disingenuous phenomenology is a terribly tough chew.

I can still picture the face of ten-year-old Derrick Lamb, as our ignorantly despondent elementary school teacher informed him that his desire to reach the moon was a bit of a farfetched idea. It began a destructive conversation, that ultimately ended in Derrick changing his mind.

We've become accustomed to making decisions as individuals, based on the preconceived notions of our people as a collective. Dissolving the essence of each person as single entities in doing so.

Whether it's inspiration in the real world, or inspiration through someone else's creations, these flights of flattery, that we think another anything is good enough, neat enough, different enough, that we immediately want to create out of some sort of ritualistic sacrifice. Like an ode, or grave flower on the headstone of someone we probably don't even know.

When approached by a stranger, a reader, a friend, or loved one about my addiction to phenomenology, I lack the proper words to reach that point where one person understands the other. At an alarmingly sad average.

But here I sit, staring at three --  ... no... four now --  drafts just waiting to be published. And I am struck by a fear I haven't felt in a long time. That this isn't a safe place for me anymore. What could have caused it? Where did I go wrong? Fuck...